Choice experiment (CE) is a questionnaire based method that the accuracy of research questionnaire determines the validity of the research outcomes. Attribute selection has a prime importance in every CE studies. If respondents do not understand or do not have preference for a certain attribute, the attribute non-attendance problem might happen that biases overall results of the research. Qualitative approaches such as literature review, focus group discussion, and in depth discussion commonly applied in CE researches. However, especially in the developing (...) countries context where ethnical and cultural diversity is a challenge in conducting survey based questionnaires, qualitative methods are not sufficient in selecting attributes. Present study investigates the application of relative importance index (RII) in respondents¡¯ preference for attributes in a modal shift study in Klang Valley, Malaysia. The 5 point Likert scale questions were employed to enhance respondents¡¯ preferences for initial 24 selected attributes. The results of this study showed that from 24 pre-selected attributes, only 18 of them had RII>0.5 and could be included in the final CE design. The results of this study could help researchers to control for unobserved problems in selecting the attributes which could not be discovered through qualitative approaches. -/- . (shrink)

Avoiding whinges from various and potentially conflicting stakeholders is a major challenge for sustainable development and for the identification of sustainability scenarios or policies for biodiversity and ecosystem services. It turns out that independently complying with whinge thresholds and constraints of these stakeholders is not sufficient because dynamic ecological-economic interactions and uncertainties occur. Thus more demanding no whinge standards are needed. In this paper, we first argue that these new boundaries can be endogenously exhibited with the mathematical concepts of viability (...) kernel and viable controls. Second, it is shown how these no whinge kernels have components, such as harvesting of resources, that should remain within safe corridor while some other components, in particular biodiversity, have only lower conservation limits. Thus, using radar charts, we show how this no whinge kernels can take the shape of a tree that we name viability tree. These trees of viability capture the idea that the unbounded renewal potential of biodiversity combined with a bounded use of the different ecosystem services are crucial ingredients for the sustainability of socio-ecosystems and the design of no whinge policies reconciling the different stakeholders involved. (shrink)

Preface: theme and variations -- In the footsteps of Walter Benjamin -- Of time and the river : the interface of history and human lives -- Imagining the powers that be : society versus the state -- On the work of human hands -- Storytelling events, violence, and the appearance of the past -- Migrant imaginaries : with Sewa Koroma in southeast London -- A walk on the wild side : the idea of human nature revisited -- From anxiety (...) to method : a reappraisal -- Despite Babel : an essay on human misunderstanding -- On birth, death, and rebirth -- Quandaries of belonging : home thoughts from abroad -- A critique of colonial reason. (shrink)

In Arabic, hurūf al-ma'ānī (meaning letters) are of the most remarkable factors making the words make sense. One of these letters is harf al-jarr ba. Actually, it is seen that similar studies were conducted for this letter. It has been analysed under the hurūf al-jarr chapters in naḥw/syntax books, in separate works addressing meaning letters and in original studies related to hurūf al-jarr. Additionally, it was specifically scrutinized from various aspects in an original way. While some gave (...) place to the forms it was used in certain surahs of Qur’an, others analysed it in terms of certain meanings it conveyed. However, there are few studies applying the meaning letters and presenting poetry examples from the j̲āhilīyyah poems, which are extremely important in Arabic language and a type of Classical Arabic texts. This study addresses the ba preposition, used with many meanings and functions, about which there were no original studies on the basis of j̲āhilīyyah poetry which has been exemplified in almost all of the works written in the period beginning from the earliest times of Arabic language and literature to this time. This study analyses the place and style of use for the letter ba in muʿallaqāt poems written in j̲āhilīyyah. The aim of this study is to find answers for questions such as: “Being used in poems, which meaning is conveyed more often with ba? In which muʿallaqāt poem was it used more? Are there any poems in which it is used with its literal and figurative meanings simultaneously? Do the poems include all of the meanings this letter adds to expressions like in the classical texts?”. Consisting of two chapters, this study presents brief information regarding the general characteristics of the muʿallaqāt poems and their poets in the first chapter. In the second chapter, the forms this letter is used in poetry are presented. Since it influences meaning, the grammatical aspect of the ba preposition is also analysed when necessary. While this preposition used in poetry is examined, by considering the elucidation of the couplets it was used, the holistic text in which the couplet appeared and the grammatical aspect of this letter, we tried to make a conclusion. In the preliminary analysis about the subject, it was considered that harf al-jarr ba taking place in all muʿallaqāt poems was used with various meanings. In the muʿallaqāt poems, the most common meaning which harf al-jarr ba conveys is as adverb of place. It is thought that, this stems from the names of places which are frequently seen in muʿallaḳāt poems and for the expression style of harf al-jarr ba. The real meaning with which this letter is used is addition. Being used with numerous figurative meanings, this preposition is seen to reflect its literal meaning as well as these ones. For this reason, it can be understood how a meaning letter can be used both in its literal meaning and the secondary/figurative meaning. It is understood that harf al-jarr ba was used for a total of two hundred and forty-three times in muʿallaḳāt poems with its various meanings. With its many meanings, this letter was used with thirteen different meanings in muʿallaqāt poems with meanings such as addition, causative, referencing, giving reason, conversation, adverb, valuing, reciprocation, responding, escalation, indefinite, oath and reduplication. The muʿallaqā in which harf al-jarr ba was used the most is that of Ṭarafa b. al-Abd’s. (shrink)

L'éthique classique hérite avec Diogène de Sinope de l'idée maîtresse de simplicité, dont l'individu peut faire l'expérience dans l'existence, et dont la jarre est le symbole. L'école cynique, dont Diogène est le représentant, enseigne une pratique de l'absence de souffrance (apathia), caractérisitique d'une simplicité déterminée par la contrainte ou acquise par l'exercice volontaire de l'abandon de certains traits propres à notre identité locale, de ce qui nous entraîne à nous abuser nous-mêmes, et donc à nous décevoir sur le long terme; (...) c'est une réflexion et un engagement personnel vers une utopie, où nous nous attacherions à l'essentiel dans la vie. Ce qui est simple pour moi, devrait l'être aussi pour autrui, ce qui ne veut pas dire qu'il ne faille pas faire un effort pour réaliser une vie bonne, puisque l'homme est traversé par des désirs et des besoins, ceci depuis l'enfance. Nietzsche parle de Diogène comme d'un premier cosmopolite et bon Européen, puisque le cynique a saisi certaines composantes éthiques classiques de base, qui traverseront l'histoire des éthiques ultérieures non seulement de la Grèce et de la Macédoine, mais préfigurant une ligne directrice de l'éthique chrétienne, ayant des accents d'une sagesse hindoue et bouddhiste ancienne de l'Orient. (shrink)

Les femmes sont naturellement associées à la production culturelle en particulier dans le secteur traditionnel. Comment ne pas établir de lien entre femmes et artisanat? La poterie, le tissage, la décoration des murs, des jarres à grains, la broderie, etc., est principalement le fait des femmes en de nombreuses cultures. C’est aussi le cas dans de nombreuses régions du monde berbère et bien entendu celles que nous étudions comme la Kabylie. L’objet de cet article qui s’opère au niveau du travail (...) matériel physique concerne aussi la production intellectuelle. Sans entrer dans les détails, j’essaierai de montrer comment les femmes parviennent à exister en tant que productrice et les obstacles qu’elles ont dû franchir pour exister en tant que telles. (shrink)